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Bundle with a T-Shirt and save 10%HERESome Like It Hotis a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, ram
Bundle with a T-Shirt and save 10%HERE
Some Like It Hotis a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen a showcase of a triple-threat cast at full-throttle.Some Like It Hotis also the new album, out October 17th2025 via Matador Records, by London three-piece bar italia. Certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint inner world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.
The synergy of this three-way blunt rotation is embedded in the trios DNA. Cristante brings a studied actors sensibility to vocals ranging from honeyed (Marble Arch) to hell-bent and possessed (rooster). Fehmi ranges from airy, brooding baritone (Lioness) to mic-chewing megaphone histrionics (omni shambles). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (Plastered).
The cultivation of their sound was chiseled via a relentless writing and touring schedule. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.
bar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: Well, nobodys perfect. This, however, comes pretty close.
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