The Tropiclia art movement of the late 1960s, spanning visual art, poetry, theatre, and music, is one of Brazils most beloved cultural treasures. It emerged as a heartfelt response shortly after a repressive military dictatorship took control following 20 years of peaceful democracy. The name Tropiclia was first envisioned by Brazilian visual artist Hlio Oiticica, whose iconic piece featured a sandy maze surrounded by lush tropical Brazilian flora, culminating in a television set.

By playfully satirizing symbols of their homeland and challenging traditional national culture, the Tropicalists crafted a fresh form of aggressive nationalism that stood apart from both the anti-imperialist Left and the patriotic Right. They refused to define themselves by underdevelopment and eagerly embraced a melting pot of diverse culturesmixing low and high art, domestic and international influencesto create a shared artistic space. This resulted in a universal sound that was distinct from the older bourgeois bossa nova and the newer, more straightforward rock movements.

Caetano Velosos debut self-titled album is one of the most significant and influential recordings in Brazilian (and perhaps South American) music history. With its release, Veloso became the voice that truly embodied the spirit of Tropiclia.

SIDE A

A1. Tropiclia

A2. Clarice

A3. No Dia Em Que Eu Vim-me Embora

A4. Alegria, Alegria

A5. Onde Andars

A6. Ave-Maria

SIDE B

B1. Superbacana

B2. Paisagem til

B3. Clara

B4. Soy Loco Por T, Amrica

B5. Anunciao

B6. les