Playmates will be Jack Ladders fourth album, and his first on Fat Possum. His previous two albums (2008s Love Is Gone and 2011s HURTSVILLE) were shortlisted for the Australian Music Prize. Its been a long journey to this point, and Playmates finds Jack Ladder at a creative apex, moving on from the darker roads into the curious, bold komische synthesizers which backlight Playmates. Ladders latest work cogently recalls a time when albums were made to the parameters of the encroaching technology of the compact disc. But this album is where songs take precedence over an idea.

Playmates songs are muscular, raw yet polished to the texture of a skyscraper. The lyrics themselves are haunting; they possess the poetic slur of a black-pupilled vision of romantic despair, loves unsure footing and a palpable air of Ballardian discord beneath the surface. The songs pulse with life. Synthesizers and drum machines rub shoulders with glam guitars and pedal steel, while above all, Ladders granite baritone slashes at love and darkness like a heavy blade. He is a tender, persistent lover; a despairing prince at the battlements.

There is also the notable presence of Sharon Van Etten. On working with Jack Ladder, she says, When I first saw Jack Ladderit blew me away. Hes got a darkness to his vocals and lyrics but with a wink. It was really fun and an interesting challenge and his songs are killer. I feel lucky to have been a part of it.

Playmates breadth of ideas, its sinister anxiety-dream lyrics and particular vision of the world offer us as complete a view of this unfathomable Jack Ladder character as we are ever likely to observe in this dimension.

1. Come On Back This Way (feat. Sharon Van Etten)

2. Her Hands

3. Model World

4.Reputation Amputation

5.Let Me Love You

6.To Keep & To Be Kept (feat. Sharon Van Etten)

7.The Miracle

8.Neon Blue

9.Our Ascension

10.Slow Boat To China